#204 Sick Days

Growing up, I rarely got sick.  I missed so little of school that my mom would let me take one sick day per semester to use how I pleased.  I dedicated these days to horror movies, macaroni and cheese and 4 hour-long games of Risk, when my friends were able to join me.

As an adult, things haven't changed much.  In 12 years at various advertising agencies, I would take 2-3 sick days a year (out of 10 that were given), though I was rarely sick enough to warrant using an entire day to get better.  If I was unfortunate enough to get sick, I would throw my hands up in the air, send a mass email, and set up a cozy pallet on the couch so that I could watch a day's worth of movies.  I'd order pizza, toss thousands of snot rags in the general vicinity of the nearest trashcan, and nap whenever I felt like it.  I didn't feel great, but I didn't let that spoil the good time.  Being sick was like taking a pit stop.  The race was still going on around me, but I was allowed to take a break.

Now that I write full-time, illness has become something different.  It has become a gigantic hurdle, a real pain in the ass.  My head doesn't feel right, my nose won't stop running, and I have too much writing to be done to simply sit on the couch and watch a movie.  I can't concentrate well, but I can't ignore the story either.  The resulting emotion is pure frustration.  I want to work but can't.  It's the exact opposite of when I was in advertising.  Back then, I was glad to take a break, even if it meant I was a little under the weather.  Now, I truly hate it.  I don't have time to be sick.  I have stories to write!

My passion for writing has turned sickness into... well, sickness.  I no longer shrug my shoulders and jump on the couch.  Instead, I frantically take medicine so that I can get better.  That's how I know I'm going in the right direction in life.  So I'll take more medicine, try and clear my head, and write a couple of pages today.  And I hope that all of you out there view sickness as sickness.  Cause if you do, it means you like what you do, and you don't want sickness to take you away from what you like.

#203 My First Year As A Writer

In November of last year, I began writing full-time.  I woke up on a Monday morning, and instead of going to work, I started writing.  There is such a difference between sneaking pages in between work and family on a project over the course of years and waking up every morning with the sole purpose of publishing novels.  Following is a list of what I've learned and experienced during my first year as an Indie Writer.

• Trouble with identity.  I've struggled all year when talking with people about this adventure.  It wasn't easy for me to call myself a writer.  If you want to be a writer, you must call yourself a writer.  You must feel like a writer.  Without embracing the adventure in full, you're only holding yourself back.
• Writing everyday.  A writer must produce pages every day.  I've met several aspiring writers this year who write when they can.  I know it isn't easy to write when you have another career.  But when you devote yourself to this life, you must write every day.  Without exception.  It really helps when you develop a schedule and stick to it.  
• Finish what you start.  If you quit a day job to write, you must produce finished products.  This isn't easy, as it takes months, even years, to complete a project.  But you must have stories for people to read.  You cannot get bogged down and simply move on.  A writer must power through the difficult days.  And trust me, there will be plenty of difficult days.
• Must get physical exercise.  I work out and run.  It's good for the mind, and it helps with focus.
• Animals can be super annoying.  I cannot afford an office.  So I write at home.  I have two cats and a dog, and they do everything they can to interrupt my flow.  You must figure out how to deal with this.  I have two places in my home where I can write without my animals getting in the way.
• I've written roughly 311,000 words (not including blog posts), which translates to about 865 pages.  This equals 2 published novels and 2 novels that will be published soon.  But I've sold fewer than 200 copies.  This is not enough to sustain a living.  I have a lot of work to do to get my novels in front of readers. 
• Continue to improve your craft.  It's not enough to just write.  It is important to strive for better writing.  There are dozens of books on writing.  It's important to read these, find the ones that make sense to you as a writer, and follow the advice.  Implement what you learn and continue to get better.
• Finally, remember this is a marathon.  Don't get discouraged.  You will find little day-to-day support.  You will encounter self-doubt.  You will worry about money, and you will wonder if your writing is good enough.  Push through the doubt and keep working.  Remember to enjoy the process.  If you cannot enjoy the process, then you should consider another career.

The last year's been challenging and fun.  I've made real progress with my writing and with my life as a writer.  But I still have a long way to go.  Year one has come to an end.  Year two begins now.  As always, I will document my progress as I journey toward making a living with my writing.

#201 Dachshund Paintings

Which dachshund painting is better?  Which one is worth more?  If you liked dachshunds, how much would you pay to hang either of these in your home?

One of the biggest complaints I read concerning indie writers v traditionally published writers is the degradation of literature and the accompanying loss of culture.  People worry that if anyone can publish a book, the entire medium suffers.  I can make many parallels to other art forms.  Youtube allows anyone to post videos of any length.  Have the millions of videos uploaded to the internet affected the quality of films coming out of Hollywood or TV sitcoms airing on the major networks?  How about the thousands of bands who upload their music to bandmix or bandcamp?  Have they affected the music coming out each year?

Publishers argue that they are necessary to the industry because they weed out the books that are not fit to be published.  These would be the books that have no place in our culture and society.  They feel it is an important service that should be embraced by readers and writers alike.  Without publishers, the market would be so flooded with trashy writing, that our culture would suffer.  Readers wouldn't know how to discern good writing from the bad.  The worthy stories from the filth.

I completely disagree with this notion.  I've read several traditionally published works that were poorly written.  Likewise, I've read indie published works that were well written and worth my time as a reader.  The idea that there are people in the publishing industry with superior knowledge about culture and value of the written word is flawed.  Readers are qualified to decide what they like and what they would be willing to spend money on.  The market is strong enough and wise enough to police content without the assistance of an all-knowing gate keeper.

Does this mean that I think publishers should go away?  No.  Right now, there is room in the industry for publishers.  But I also believe there is room for the indie writer.  Art is art.  Some of it appeals to the masses.  Some of it appeals only to a small percentage of people.  Some of it doesn't appeal to anyone.  All artists struggle to find an audience.  All artists struggle to make a living.  Dismissing a viable avenue to get work out is a mistake.  Dismissing indie writers because they aren't backed by a traditional publishing house only limits the industry, and as a result, stifles creativity and culture.  If someone tells you a youtube video is worth your time, you watch it.  If someone shows you a good song recorded by a no-name band, you listen to it.  If someone reads an indie published book and tells you it's good, then read it.  

And if you like dachshund art, don't limit yourself to only artists you've heard of.  If the art works, if it looks good, if it enhances a room, then hang it up proudly no matter whose name appears on the bottom.  BTW, the second work is a dachshund painting I did myself.  And I promise, I'm no Picasso.  But my dining room looks pretty damn awesome!

 

#200 From Interesting Premise To Vision

In my last post I mention aspiring writers beginning with an interesting premise and then bogging down in the writing process, potentially due to a lack in an overall vision.  What's the difference between an interesting premise and a vision?  That's a good question.  My definitions are as follows:

Interesting Premise:  An idea.  A spark.  An example might be, "Let's write a movie about a plant that eats people.

Vision:  The idea grows and takes shape that includes developed characters, key plot points, established conflict and resolution.  A complete fire.  An example might be, "Let's write a musical that follows a lonely plant store employee who discovers a mysterious plant from outer space.  He discovers, to his horror, that the plant drinks blood.  He begins feeding it his own blood, but eventually commits murder to keep his plant alive.  As the plant grows, its need for blood increases until it grows too large for the plant store guy to control.  There will be a love story, a wicked boyfriend, the best Bill Murray cameo in history, and many catchy songs that people will love.  At the end of the movie, the plant spawns baby blood suckers and it is up to the plant store guy to destroy them all.  Or planet Earth is doomed.

So how can an aspiring writer get from an Interesting Premise to a Vision?  What are the magical steps needed to take a spark of an idea and make it flourish into a well developed fire?  Following are things that I do to help flesh out my ideas.

• Understand Your Genre
• What are the basic conventions of the genre?
• How does your story conform to the conventions?  How does it break convention?
• Does your story cross genres?
• How does your story differ from other stories in the genre?
• Understand Your Characters
• I use sticky notes and brainstorm how each character would react in mundane/unrelated situations.  Like, 
• What would she do if she showed up to work late to avoid trouble?
• What's the last thing she does before going to bed?
• Where would she eat lunch on her birthday?
• And many more...
• Think about the relationships between your characters.  Do you see similar relationships in real life?
• Print pics of your characters.  Can use advertisements or your FB friends.  Be careful using FB friends.
• Understand primary character arc- how does she grow/change?
• Understand Primary and Secondary Conflicts
• Without conflict, your readers will tire of reading.
• Think of conflict in terms of origin and resolution.
• Trace the overall vision in terms of conflict.  The story should move forward and make sense.
• Find Your Climax
• What is the story building to?  You must know this so that you know where you are leading the reader.  This will allow you to make decisions on how best to develop the story throughout.
• How will you get to the climax from the beginning?  What key elements are necessary along the way?

If you have any thoughts to add, by all means, leave them in the comments.  Any information is good when helping a writer turn an interesting premise into a fleshed out vision.

#199 Painting The Picture

This last weekend my brother drove with me to Tyler, TX to help me paint the inside of a house I lived in several years ago and now rent out.  We removed old nails, taped the base boards, cleaned the walls, and laid down paper and canvas to protect the cheap laminate that covers the bedroom floors.  Then the painting began.

This was my brother's first time to paint.  He stood at the wall with a dripping roll brush and said, "Is that good?"  I looked at the cream-colored streak of paint slashed across the wall.  I compared it to the smooth and organized strokes on my side that covered 1/4 of the wall.  I said, "We're trying to paint the whole wall evenly.  So take a look at your streak, and make it look even and clean."  He scratched his head and eyed his brush.  He rolled over the messy streak a second time and said, "How about now?  Is that good?"

My brother recently finished college and is interested in becoming a working writer.  We talk every week about our stories, and our conversations inspire many of my posts on writing.  He wants to write comic books, movies, and short stories.  This last weekend, while we drove lonely 2-lane highways through East Texas, he asked me, "What's a novella."  After hearing my basic and underwhelming definition (amounting pretty much to "it's like a novel...only shorter") he said, "I want to write one of those!"

But my brother has one problem.  He rarely finishes what he starts.  He has dozens of half-written comic books, a handful of short stories and he is working on a novella.  But none of them are finished.  None of them are ready to be released into the world.

I used to think this was a problem of persistence.  I envisioned fleeting moments of inspiration that led him to his computer for an hour or so, where he would pound out a page here or some thoughts on a new comic book there.  I thought he lacked the conviction to finish his projects because one flash of inspiration could only take him so far.

I'm not sure that's true anymore.  When he stood at the unpainted wall, he had no idea what the finished product was to look like.  He hadn't thought it through.  He was not invested.  For him, he was helping his brother paint a house.  So he put paint on the wall and asked me if it was good.  I think this is what's happening with his stories.  He wants to write them.  He doesn't mind the work.  But I don't think he has a clear idea of what he wants his finished product to look like.  Without a clear ending goal, his project bogs down and he starts something else.

I wonder how many other writers bog down.  Do they lack persistence?  Or do they lack a clear vision?  This is a good thing to think about before embarking on a large project.  An interesting premise and a bottle of wine may not be enough to carry you through to a finished product.  It's important to know what you want the wall to look like before start painting it.

#196 Cutting Your Losses

A million years ago I tried out for the Spring Branch Junior High basketball team.  Though I was one of the shortest kids in our class, I thought I had a legitimate chance of making the team.  For a week, a hundred or so gangly youths performed dribble drills, shooting drills, 3 on 2 drills, cones, and whatever else our junior high coaches could think of to test our young basketball skills.

On the first day, a close friend of mine dribbled the ball from the base line to a cone positioned at the free-throw line.  He rounded the cone and let loose one of the worst jumpers of the day.  The ball soared over the backboard and bounced into the grass behind the outdoor basketball court.  Every boy in the yard laughed and heckled my friend.  He shagged the ball, threw it to the next boy in line and saluted the coaches, thanking them for their time and the opportunity.  Less than an hour after tryouts began, my friend left the yard.  His basketball career came to an abrupt end.

I stayed.  I executed drill after drill.  I demonstrated my quickness and my superior perimeter defending.  I played hard and showed the coaches that no matter what, I would NEVER give up.  And at the end of the week I was sad to learn that I had not made the first cut.  I was devastated.  It was the first time in any sport that I didn't make the team.  I went to the coaches office after practice and told them I would try harder.  I asked them for another chance.  My coaches were sympathetic but unyielding.  "We're sorry," they said.  "It's just not meant to be."

Writing can be like this.  A writer can pour his or her heart and soul into a story -- can spend weeks, or even months, on a project, vowing that it would become a wonderfully finished novel.  But not all projects are meant to be.  It doesn't matter how much work or passion goes in.  The novel is doomed from the beginning, much like my basketball career.  The question is this: at what point in the process do you realize a project isn't meant to be?  Near the beginning?  Or do you fight through all the challenges until the bitter end?

Writers must develop the skill to look at their own work with a discerning eye.  Writers must be able to recognize when their story is too short or their dribbling is too sloppy.  Writers must be able to see when their shots consistently miss the backboard, only to bounce in the grass far outside of the boundaries of the court they are playing on.

But no matter how long it takes, no matter how much passion is put into a project, writers must be able cut their losses and move on to the next project.  They will save time and heartache, and those are two things writers must always look to save.

#193 Steps For The Indie Writer

There's more to being a successful indie writer than just writing.  Following is a list of things an indie must do to make a living.  All of these aspects are important.  A writer can't pick and choose where to devote his or her time.  A writer MUST do it all.

• Writing - This is obvious.  Simply writing the novel is difficult enough.  It requires an idea, self discipline, talent and consistency.  A writer must pay attention to voice, characterization, plot, pacing, description, conflict and resolution.  The process can take several months or several years to complete.  
• Revising - After the first draft is done, a writer must re-read and re-write much of it, paying careful attention to the components listed above.  This is a difficult process that many writers rush.  I suggest taking a break once the first draft is completed.  Return to the project with a fresh perspective.  And TAKE YOUR TIME.  Revising is when the true writing process begins.  You have the shell of the story down, now it's time to be critical so that you can improve the story before sharing it with an editor.  When in doubt, cut.  A story can be cut drastically from draft 1 to draft 2.  The more you cut, the better the project becomes.  This part of the process can take weeks or months.  
• Editing - Every writer has a different editor and a different editing process.  Please do not confuse revising with editing.  Revising looks at how the story is told.  Editing looks at how the story is written.  Finding an editor that you trust is very important.  An editor needs to understand you as a writer and as a person.  An editor must understand what you are trying to do and must understand aspects of good writing.  Editing can cost a fair amount of money, but it is an essential part of the process.  Don't skimp here, because once a reader sees that they are reading a poorly edited book, he or she will remember and will most likely avoid future work you publish.  This part of the process can take weeks or months, depending on the editor and how many editors you choose to include.  Right now I use 3.  Can't have too many editors!
• Cover Design - Finding a graphic designer is similar to finding an editor.  You need someone who understands the novel, and more importantly understands the genre.  A cover must connect with the right audience and must align with the story.  Find someone you can talk to.  This should be a collaborative effort, one that is ever-changing until you find the right cover that readers respond to.  This part of the process can take weeks or months, depending on who you work with and how much they charge.
• Writing a blurb - A good blurb is essential for the indie writer.  You must entice a potential reader with nothing more than a paragraph.  Writing a novel is hard.  Writing a blurb can be harder.  There is no proven formula for a blurb.  I suggest reading many blurbs of successful novels.  Then write several blurbs.  Have friends and family members read your blurbs.  Listen to their feedback and then rewrite the blurbs again.  There are discussion forums at kboards.com where you can ask for blurb advice.  Other indie writers are generous with help.  I suggest you get as much help as possible.  This part of the process can take a week or more.  Sometimes longer.  But be willing to change the blurb until you see a suitable spike in sales.
• Formatting - An indie writer must format the digital file to be published online.  Poorly formatted work doesn't translate well to ereaders.  A poorly formatted book looks unprofessional and turns readers off.  There are several online resources available for the various publishing sites.  Read these carefully and follow the instructions.  Right now I publish direct to amazon.com and smashwords.com (makes books available to barnesandnoble and ibooks).  This process takes a few days the first time you go through it.  After a couple of times it shouldn't take longer than a day.

After this, your book will be available for people to buy.  And then you can begin working on the next project.  

#189 Small Victories

I became a full-time writer in late October of 2013.  I began with a couple of ideas, my wife's laptop, and no clue how this adventure would play out.  I had no process.  No benchmarks.  No short-term goals to keep the train rolling day to day, week to week.  I knew I wanted to write a series consisting of at least 3 novels, and I wanted to complete it by the end of 2014.  Combined with this monumental task, an Indie Writer must also develop a website, engage in the social media trifecta (FB, Instagram, Twitter), write a blog, develop relationships with graphic designers and editors, and read more books than ever before.

That's a lot to take on.  And a writer must do it with little help.

I'm ten months in and can't tell you how many times I've been overwhelmed by it all.  I've had to keep my frustration in check.  I've had to battle the intimidation with small victories, taking small steps -- marking off assignments from my to do list one at a time.  No step is too small to celebrate, as long as it gets you closer to your final goal.

Following is a list of small victories that, when added up, equal the great accomplishments in the life of a writer: novels.

• Finishing a chapter.  Breaking up a novel into chapters gives you natural milestones to strive for.  Understand that finishing a chapter is a good thing.  It's a great thing!  Feel proud that you are one step closer to finishing that project.
• Weekly word counts.  I set manageable weekly word counts instead of daily word counts.  If you have a particularly difficult writing day, you can make up words on a different day.  Likewise, if you have an aggressive Monday and Tuesday, then taking a Friday off every now and then is not such a bad thing.  Of course, I've found that when I have aggressive days early in the week I tend to have great days later in the week as well.  In this profession, success breeds more success.  I write 10,000 words per week.  If you have another job and you scramble to write on the side, look to get 5000 words per week.
• 5 blog posts per month.  Keeping up with a blog is a great way to engage readers, practice writing and develop content (outside of the novel) that will help connect you to readers.  Blogs can be fun.  Let your personality shine through.  Explore your passions and connect with readers who like the same things you do.  But you must keep up with it.  You must be consistent.  If readers like what you have to say, they will stay with you.  If they find you quiet for extended periods of time, they will find something else to read.
• Finishing the first draft.  This is a big one for me.  I celebrate this more than I celebrate the novel actually being published.  Not sure why that is.  The novel is far from finished.  There are many remaining steps that must be taken after the first draft.  But there is nothing wrong with celebrating the birth of a new novel, no matter how imperfect it is at that point.
• 5-7 tweets per day.  I'm still new to twitter and have not mastered engaging prospective readers through social media.  All I know is from what I experience.  When people over tweet, it can get on my nerves.  When people do not tweet enough, I'll miss them in my news feed.  There is a balance in here somewhere.  I'm still searching for that balance.  Until I learn definitively what that number is, I generally tweet 5-7 times per day.  Check out my post on tweeting for more info on what to tweet about.
• Read 2 books per month.  Ideally you should read more than this.  Reading is essential to becoming a better writer.  It's part of a writer's life that can easily be overlooked.  Many writers read for fun, and NO writer should be having fun when there's a novel to be completed. Not true!  An inspired writer having fun puts out a higher volume of better work.  Reading other writers helps develop your own style, and it inspires.  Don't get so bogged down in your own work that you ignore the work of others.

#187 Tweetness

Been working hard recently to understand and utilize Twitter to help increase awareness for my 2 novels.  I think it will help me with my writing, and I think it will ultimately help me find readers.  Twitter is an interesting tool.  It makes complete sense for people trying to break stories in real time.  It also seems like a natural way to share pop culture information like: movies, music, gossip, etc.

The big question is how do newbie writers use twitter effectively?  I am new to Twitter, but have noticed a few things that I'd like to comment on.

• Many writers Tweet self-promotion.  This includes reminders to buy novels, announcing deals, promoting other authors doing the same, excerpts from works.  Many of these tweeters have massive amounts of followers so it seems like a natural way to get your message across.  However, I find myself skipping over tweets from people who promote too much or exclusively.
• Other writers Tweet inspiration.  These fill cyberspace with encouragement meant to help writers during wanderbreaks throughout the day.  As a writer whose mind wanders to Twitter almost every time I reach a new paragraph, I find these inspirational quotes helpful, though sometimes I think they are overdone or too well crafted as if they came from a book of inspirational quotes.  Genuine encouragement is always the best, in my opinion.
• Next I find writers who Tweet other's articles, blogposts, words of encouragement.  These writers stumble upon something they found useful and wish to share with their followers.  I like these as well, as I often find myself reading articles because they are right there for me, instead of me having to spend time searching for them myself.  Not all articles are worthwhile, but it only takes a moment to decide if a read is worth the time or not.  And at the end of the day, I am educating as well as entertaining myself.
• I also see humorous/cute tweets.  These include funny/cute pictures or witty comments meant to break up the feed and bring a smile to anyone's face.  I like these, as I am always ready to smile.  Not all of these are funny, but I do not fault anyone trying to be funny or thoughtful.
• Finally, there are many tweets that I simply do not understand.  Perhaps I am not smart enough.  Perhaps I am too old.  But I do not understand what they are saying or the cryptic code in which they are written.

So, in my initial analysis, I believe that a newbie writer looking to break into Twitter should execute a  well balanced attack that includes, but is not limited to, self-promotion, inspiration, articles, humor, and cuteness to help entertain as well as educate.  That way, people do not follow then mute you.  They may be inclined to retweet you and ultimately they may one day visit your website where they will buy and read your wonderful books.  

#185 Professional Proof Reader

My first novel came out in May of 2014, and no matter how I tried to read and re-read, grammar issues still arose.  Took me back to my junior high days when I swore my papers were perfect but I would still receive a grade of 83.

So I decided to hire a proof reader for my second novel.  It's an added step in the process and an added cost, but it should help eliminate those pesky grammatical errors that could label me as an amateur writer instead of the professional that I aspire to be.

I can't report yet on how successful this decision proved to be.  Once my second book is out, we'll see how many emails I get.  But I must say professionalism is extremely important when self-publishing novels.  One criticism I read over and over again is that traditionally published writers put out a superior product.  When someone catches a mistake in a print book they say, "Oh, the editors must have missed one."  When an indie published writer makes a mistake the same person would likely say, "Well, it's just a self-published book.  What did you expect?"

For that reason, indie writers must be especially careful when publishing their own work.  And for that reason, I am happy I hired someone to proof read my second novel.

#182 Selling Yourself

One aspect to my writing adventure that I still struggle with is the art of selling myself.  I attend parties, lunches, or talk with friendly people in waiting rooms, and I have trouble selling myself as a writer.  I know this stems from confidence, but it also stems from my desire NOT to be pushy on people.  But, how do I expect to spread the word about my awesome books if I don't tell anyone?  So, I've decided to work on this aspect of my career.

This weekend I went to a birthday party.  In attendance were several intelligent people who I learned LOVE to read.  Perfect opportunity, right?  Well, I took advantage.  When the inevitable question came up, "What do you do?",  I answered triumphantly, "I'm a writer!"

We discussed my book, my writing process, publishing, genres, great writers of the past and present, and ultimately had a grand ole time.  At the end of the night I made a point to direct everyone to my website.  This is the easiest and best place to find information on my writing and myself in general.  And it is easy to remember.  www.alexandermori.com.  But you already knew that!

When we got home I began undressing and realized the silliest thing in the world.  There is only one picture of me on my website.  I did this by design.  It is the same picture on my twitter and kboards account.  As I removed my blue, button down shirt I realized that was the exact same outfit I wore when my one photo was taken.  Everyone at the party (who ventured to the website), thinks I LOVE that outfit!

Here's the moral of the story: when you take your one photo for the website, burn the outfit you wore so that you don't look like a fool.  Either that, or buy six more of that same outfit and just wear it every day of your life.

#180 Editing

I started writing full time nearly nine months ago.  I'm in the third trimester and have learned a lot about writing and myself.  With my first novel, the most difficult part of the process was revision and editing.  I'm not detail oriented in general, and combing through line after line of text I just wrote proved to be more difficult than I imagined.

I am nearly done with my second novel.  THANKFULLY, editing for the second novel has been MUCH easier.  I don't know the exact cause, but I feel it is probably due to a combination of factors.  I am getting slightly better at writing, so there are fewer areas of the novel that need complete overhauls.  I think I am getting better at reading my work critically.  The improved attitude allows me to comb through the text with less frustration.  And I think it's possible that I simply like this book better.

If you are like me and have trouble with editing and revision, then you will be happy to know that it DOES get easier.  Keep pushing on and don't let this essential part of the writing process be the reason you do not finish projects.